Wattyl has recently launched its Villa Carmelina colour palette – the result of a collaboration with architect Scott Weston that has spanned more than two years.
Villa Carmelina, a grand 1889 Victorian Italianate terrace, was bought by Scott in 2016. It was in a dilapidated state but, for Scott, it represented the opportunity to fulfil a long-held desire to invest his 25 years of architectural practice in his own home.
The main two-storey terrace was restored to its former grandeur, with a few minor adjustments to the interior to accentuate the building’s high ceilings and maximise the natural light. The result is a unique fusion of contemporary design and original Victorian architecture.
To the rear is a modernist two-storey addition in glass and steel containing expansive kitchen and living room plus bedrooms and bathing areas.
Wattyl’s new range takes inspiration from the remnants of Villa Carmelina’s original 1950s colour scheme – rose pink, acanthus green, lemon chiffon, studio mauve, and earl grey.
These colours appear in various guises throughout the home – some have been custom-matched by Wattyl and others taken directly from the Wattyl fandeck.
Scott Weston is regarded as one of Australia’s most inspiring architects, with a passion for colour, pattern, texture, art, light, functionality and beautifully crafted, artisanal materials and finishes.
In his meticulous reincarnation of Villa Carmelina, Scott has expressed a long-held philosophy of tailoring spaces to embrace and celebrate the interests and passions of the occupants – he has paid homage to the generations who lived in Villa Carmelina before him while creating a unique and deeply personal living space for he and his partner.
Serving as an introduction to the Villa Carmelina colour palette, this is the harmonious meeting point of eight of the project’s custom colours.
Lady Gray is seen on the timber dado while the wall above features the velvet grey-lilac of Studio Mauve. The Victorian ceiling is washed in the sorbet lemon hue of Lemon Chiffon, bordered with Ivory Grey piping in order to highlight the decorative cornice and ceiling rose.
This elegant room, flooded with indirect light from the over-sized doors either side of the fireplace, has as its focus the contemporary glitter artwork by Reuben Paterson.
The walls and decorative plaster moulds above the fireplace are washed in the understated, faded pink of Miss Havisham Rose. Timberwork, in the ivory tone of Marcasite, highlights the original architectural details, while the lathe and plaster ceiling provides a plane of light grey, using Ivory Grey.
Referencing a 1950s Hong Kong tea house, the dining room walls are finished in a soft Matcha Tea shade that was custom-matched to the beautifully textural hemp wallpaper used on the feature doors of the joinery unit.
Having no direct light, the dining room ceiling was highlighted in Modernist, a darker grey. The antique Chinese moongate (seen above, pictured with Scott) is unquestionably the focal point of this room, framing views and showcasing a collection of beautiful treasures.
The living heart of Villa Carmelina, the kitchen is strategically placed within the expansive living room and features a black and white terrazzo floor and timber hemlock walls.
Two horizontal bands of custom architectural joinery have been hand-rolled in the saturated, deep blue of Curious Planet.
A grand room that looks out onto the main staircase whose walls are washed in the beautiful grey lilac of Studio Mauve – a hue that changes colour throughout the day, thanks to the northern glass roof.
The studio walls are finished in the sophisticated soft grey of Marcasite with a horizontal line of Jazz Age Coral applied to the perimeter above the tall doors, enveloping the cornice and ceiling in one dramatic gesture. The ornate Ivory Grey ceiling rose is crowned by a George Nelson 1950s pendant light.
Highlighting a display of rare and beautiful objects, the grey-blue tones of the guest bedroom’s Celadon Blue walls provide a quiet background to the ensuite’s dramatic floral cascade in miniature glass mosaic tiles.
Scott chose Wattyl I.D Advanced Ultra Low VOC interior paint for Villa Carmelina, citing the fact that it far exceeds green-building requirements (with less than 1g of VOCs per litre) and can be custom-matched to any colour, as the reasoning behind his choice.
Wattyl I.D Advanced is available in water-based matt, low sheen and satin finishes, plus Ceiling White.
Follow Scott Weston’s Villa Carmelina journey on Instagram